Video and scale tabs at the bottom of post.
I know, it’s been a while. So many things are happening right now but due to some persuasive nudging from some of you I put this together as fast as I could. Forgive my always brilliant video editing.
Here are three exotic sounding scales that I have been having fun with on the banjo uke. (Banjo uke not required).
To be honest, there are only two scales here. The second example differs from the first only by skipping the note on the second string, sixth fret. It does make a difference. I like to mix them up, as you can see in the example.
Examples 1 and 2
If you noticed at the beginning of the video, I am using these examples with the Claw Hammer ukulele technique. It sounds really amazing when I get warmed up. Review my basic, basic claw hammer tutorial and all the other great tutorials out there if you need to brush up.
During the scale demonstrations of 1 and 2 notice the technique I use while demonstrating them a little faster. I pick out some strategic notes and do the Koto sounding micro bend technique that I showed you in Sakura Sakura. This adds tremendous effect and authenticity to the scale.
Quick review of the Koto technique:
Before you pluck the note with your right hand finger, bend the note SLIGHTLY up with your left hand fretting finger. Then IMMEDIATELY after you pluck the note, let it return to it’s original ‘unbent’ state.
Also, don’t be afraid to improvise. Mix the notes up.
You might remember this scale from Sakura Sakura. It is a common Japanese scale (I think). In that video (linked above) I play the scale using John King’s campanela style. Here I am playing it in a more linear fashion. THEN I add the microbend Koto style and there you have it.
And the vidya..